I believe our shooting day went very well, I was very happy
with how well the group worked together and how well our actors performed. The
day before our shoot we decided to transform the media room from this:
This was not an easy task, a lot of heavy lifting was involved, luckily due to pre-organisation there was not a lot of hassle in getting the props we needed. The computers and phones were provided by the IT department and the chairs and walls were provided by the media department, the other bits and bobs like photos, files and things for the walls, we bought in, or we got from various places in school. By the end of this we were very pleased with the transformation of the media room, so this meant that when I woke up the next morning I was relaxed, and not panicked about building any sets, as for the ballet part all that is needed is a black room.
After breakfast, when it came to shooting, we started a little later then planned, this was because when we looked at our office room again, we thought it could use a few extra things like a map and fire-hazard instructions to make the room come to life. Also we had to do the make-up for our ballerina, this was done by Elina and we had not considered how long this would take, but her make-up needed to be quite complex and specific. Once this was done, it was worth the slight delay as Philippa looked stunning, exactly the way I pictured she would look.
As I previously mentioned, our set was very plane, just a black floor, closed in by black curtains. The only thing we needed to do was tidy up the floor a little as we were one on the last groups to shoot so the floor was a little knackered. So I went and got a broom to get rid of on debris on the floor and Bex got a mop to polish it up. Once this was done, the room looked exactly the way we wanted it to and we were ready to begin shooting.
When it came to shooting, Luke gave us a little recap on how to work the camera. Then as a group we decided that we pretty much want all of our shots to be in slow motion, as this really makes the clip beautiful, so Luke set the camera to slow mo and we started to shoot.
Initially, I filmed, Elina was focusing on our actress and her needs, as it was cold in the studio and she was only wearing a leotard and toutou, then Ned and Bex focused on continuity and deciding what should be shot next, and weather we needed to re-do a shot, as they watched every shot being played back on a plasma TV.
This worked really well and we got some great shots. We then switched roles, with Bex looking after Philippa, Elina and I doing continuity and shots and then Ned went up in the scissor lift to do some birds eye shots.
I personally really enjoyed the filming, and Luke commented on the fact that I was quite good at it, and I got some good shots whilst doing it.
A problem we had during the day was repetitiveness, we became concerned that we were doing too many of the same shots, and when we edit we were not going to have enough verity of ballet moves to choose from. To solve this we asked for Philippa's input, to see if there were any ballet moves that she could suggest, fortunantly there were loads, and she did them all for us and we shot all of them which now means we have loads of footage to choose from. I think that the ballet part of our shoot was the most successful because we got all the shots we wanted and when we watched them back, they were perfect, exactly what we imagined. Also Philippa was such a great actress/ballerina to work with, she is very talented and very patient which made her a pleasure on set.
I enjoyed instantly watching our footage back on the TV as it automatically went into slow mo, and this gave us a real sense of what our final producted is shaping up to be, which was really exciting so it just gave myself and my group the drive to keep shooting as we were getting such good footage! In the edit I am really looking forward to working on the transitions between the shots as this will make the whole thing flow into one long and indulging clip.
Overall, I belive my group worked really well together and because of this we were able to have a really successful day of shooting. Thinks I would do next would be, although I was satisfiyed with our orginisation, I would make it even better, I have learnt that orginisation is the most important thing as it can make or break a thriller. For an example we wanted a white leotard for Philippa, but we got the wrong colour by a mistake, luckly it didnt really effect anything and we were able to shoot a thriller as planned but we all agreed that a situation like that, if worse, would be devistating.